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Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Portret van Frans Hals painting


Portret van Frans Hals
Portret van Frans Hals
Painting ID::  77097
   1650s Oil on panel 32.7 ?? 27.9 cm (12.9 ?? 11 in) cjr
  1650s Oil on panel 32.7 ?? 27.9 cm (12.9 ?? 11 in) cjr

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Portret van Frans Hals painting


Portret van Frans Hals
Portret van Frans Hals
Painting ID::  80522
   1650s (?) Medium Oil on panel Dimensions 32.7 x 27.9 cm (12.9 x 11 in) cyf
  1650s (?) Medium Oil on panel Dimensions 32.7 x 27.9 cm (12.9 x 11 in) cyf

 
 
   
      
Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Portret van Frans Hals
1650s (?) Medium Oil on panel Dimensions 32.7 x 27.9 cm (12.9 x 11 in) cyf
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